The Art That Poses Back: Assessing AI Pastiches after Contemporary Artworks

Anca Dinu, Andreiana Mihail, Andra-Maria Florescu, Claudiu Creanga
3/6/2026
cs.CLcs.CV

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Abstract

This study explores artificial visual creativity, focusing on ChatGPT's ability to generate new images intentionally pastiching original artworks such as paintings, drawings, sculptures and installations. The process involved twelve artists from Romania, Bulgaria, France, Austria, and the United Kingdom, each invited to contribute with three of their artworks and to grade and comment on the AI-generated versions. The analysis combines human evaluation with computational methods aimed at detecting visual and stylistic similarities or divergences between the original works and their AI-produced renditions. The results point to a significant gap between color and texture-based similarity and compositional, conceptual, and perceptual one. Consequently, we advocate for the use of a "style transfer dashboard" of complementary metrics to evaluate the similarity between pastiches and originals, rather than using a single style metric. The artists' comments revealed limitations of ChatGPT's pastiches after contemporary artworks, which were perceived by the authors of the originals as lacking dimensionality, context, and intentional sense, and seeming more of a paraphrase or an approximate quotation rather than as a valuable, emotion-evoking artwork.

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Cite this paper

@article{dinu2026that,
  title  = {The Art That Poses Back: Assessing AI Pastiches after Contemporary Artworks},
  author = {Anca Dinu and Andreiana Mihail and Andra-Maria Florescu and Claudiu Creanga},
  year   = {2026},
  eprint = {2603.06324},
  archivePrefix = {arXiv},
  url    = {http://arxiv.org/abs/2603.06324v1}
}

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